Categories
First Fifteen

May 19, 2024

Feedback from Jonterri Gadson and Rochée Jeffrey

URBAN UPTAKE by Kenisha Morgan (Afrofuturism short)

After Ayanna Bell gets fired, she stumbles onto a digital world called Urban Uptake, a place for women like her.

Featuring Jasmine Ashanti, Nicolas diPierro, LaNora Terraé Hayden, sola bamis, Tehana Weeks, Stephanie Rocío, and Gita Reddy

Kenisha Morgan is originally from Atlanta, GA. To be more specific, she is from College Park, GA and East Point, GA. Nonetheless, she is an actress that became tired of waiting for opportunities; so, she decided to create them. She is a proud alumna of Northwestern University’s theatre program in Evanston, IL and the Atlantic Acting School’s Evening Conservatory program in NYC. Last year, Kenisha became a Stowe Story Lab 2023 alumnus. During the pandemic, she co-wrote a virtual production, No Justice, and won several accolades for the best virtual production at The WTFringe21 Festival & The Women’s Theatre Festival. No Justice was accepted to the Central Illinois 2021 Black Lives Black Words Festival and it was published in the BLBW anthology. Currently, she is writing a series. Her pilot for the series made it to the quarterfinals for Filmmatic – Inroads Fellowship Season 6. When not writing or acting, she works as a Low Code/No Code developer. She enjoys spending time with her boyfriend, friends, family, and her plants. Kenisha is a plant mom. Her experience in tech fuels her writing to focus on sci-fi and put people of color and women in these roles. 

ORNITHOMANCY by Marquis “The Honey Bear” Wright (absurdist comedy short)

Minutes before an interview for his dream job, an anxious man who bases his major decisions on the flight pattern of birds, confronts the most important people in his life.

Featuring Henry Alexander Kelly, Jerome Beck, Christopher Horice Jr., Gracie Fojtik, Shirley Jordan, and Isaiah Dòdó-Williams

Marquis “The Honey Bear” Wright is a Northwest Emmy Award-nominated producer for his work on the PBS Kids’ show Molly of Denali. He is a screenwriter and playwright, with three produced plays under his belt: Ricochet, Ornithomancy: the practice of reading omens through the flight patterns of birds, and Getting Distance. Besides writing, Marquis channels his comedy through stand up and Upright Citizen Brigade improvisation. He loves comedy about the intersections of blackness, queerness, body positivity, and the ex-religious experience. During his time as an Editor at WEBTOON Entertainment, he worked on 24 web comic book series. In addition to writing Ornithomancy, he will be producing and lead acting in the short film this year.

Marquis is a Mr. Bear Los Angeles 2023 title winner and a Southland Honors Cultural Arts Award winner for his contribution to the Los Angeles queer community. In addition to his charitable club event, “Black Bear Joy” at the Eagle LA, he has also co-hosted popular programming at Precinct DTLA, such as Fat Slut, Club Chub, and Howl. Armed with his “Honey Bear” brand of yellow fashion, he aims to uplift black queer people to feel an unapologetic sense of belonging in the LA nightlife scene. He is represented by Queer Up Talent. 

Categories
First Fifteen

October 29, 2023

Feedback from Pilar Alessandra and Jonterri Gadson

DON’T FORGET DOROTHY written by Jana Smith (sci-fi feature)

A veteran actress and her daughter are both dealing with an identity crisis, body dysmorphia, and the pressure to meet society’s expectations of them when they are offered an opportunity to participate in a neurological experiment that would erase every racist, sexist, and hurtful memory that formed their insecurities; giving them the chance to restart their lives as free Black women.​

Featuring Shirley Jordan, Tehana Weeks, Conni Marie Brazelton, Bonnie-Rae Sunshine, Trip Langley, Caro Guzmán, Ashley J. Hobbs, Tamara McMillian, Janessa St. Pierre, and Inger Tudor

Jana Smith (she/her) is a Gary, Indiana-bred, interdisciplinary writer, filmmaker, and cultural worker passionate about intergenerational stories about women and femmes. Her prose has been published in Essence magazine! Jana was awarded the Inaugural Ida B. Wells Disrupting the Master Narrative Award for her film script, Baptême. She also participated in Ryan Murphy’s “Half Initiative” for rising writers, directors, and creatives. Jana wrote Built to Last a podcast by American Express hosted by Elaine Welteroth. She has worked for the Human Rights Watch Film Festival, The Good WifeMadam Secretary, HBO’s Random Acts of Flyness, America ReFramed, and POV. In 2018, her pilot was a finalist in the MACRO Episodic Story Lab. She studied filmmaking at Sarah Lawrence College. Her work examines the intersection of Black womanhood, erased historiographies, and intergenerational healing (basically, whatever she’s having an existential crisis about). The stories she tells often interrogate shame––illuminate the interior lives of women––and imagine a more human-dwelling future. Through her work, she strives to reflect the truth of our time while encouraging audiences to re-imagine our collective power for radical love and compassion. She is currently directing and producing a narrative audio drama centering Black women, love, and liberation, which she wrote titled Red for Revolution.

FARE by Karan Kendrick (suspense short)

A 50-something black woman, tired of losing, creates a deadly game that only she can win.

Featuring Tamika Simpkins, Shirley Jordan, Bonnie-Rae Sunshine, Chinai Routté, Gita Reddy, Kenajuan Bentley, Rod McLachlan, Leonard A. Thomas, and Toccarra Cash

Hailed for her powerfully nuanced portrayal of “Minnie McMillian” in the blockbuster Just MercyKaran Kendrick is among the artistic elite.

Additional credits range from The Hunger Games (Lionsgate), and The Hate U Give (20th Century Fox); to television favorites like Grey’s Anatomy (ABC), Greenleaf (OWN), and most recently, “Candace” on All American: Homecoming(CW).

In addition to her work as an actor, Karan is a philanthropist, speaker, and Honorary Astronaut (NASA Ames). Her long-standing passion, however, is the work she does through her arts organization, The Kendrick Academy (TKA), where she has served tirelessly to provide students with the opportunity to build character, discipline, and an eternal passion for the arts for over a decade.  Based in her hometown of Fort Valley, GA, TKA offers weekly acting and dance classes to students ages 3 to 85. In 2020, her Academy expanded to virtual acting and screenwriting classes and continues those offerings today allowing her to serve students in 7 states and counting.

As she expands her role as storyteller to include writer, Karan states: “I want to tell stories that center Black Women in the middle of their own discourse. I want to position us in the luxury of being human, vulnerable, weird, weak, warrior, and loved, all at the same time. I want to remind us to burn the cape, and keep the flame.”